This arrangement of the Natasha Bedingfield hit from 2004 retains the general feel of the original recording while incorporating jazz harmonies and some subtle reharmonization. The chart is not entirely in four parts, but spends a good amount of time in two and three parts. Your treble jazz choir will have a great time learning and performing this empowering piece!
Notated piano and bass, drum set
Commissioned by Billinghurst Middle School, Kris Engstrom, dir. (2016)