Purchase the SkyTracks package above!
SkyTracks are a new feature of this website released in the Summer of 2020 which allows you access to a special webpage with a MIXABLE Multi-Track player of all of the recorded parts of the demo for this arrangement. You will receive a link to this page along with a password, both of which you can share with your students so they can remotely access this versatile new learning tool. CLICK HERE TO SEE AN EXAMPLE OF SKYTRACKS.
Your SkyTracks purchase also includes downloadable access to Vocal Part Tracks, Minus-One Tracks, a Rhythm Track and the Recording Stems.
Peter Eldridge’s own arrangement of his achingly beautiful composition from “Disappearing Day”, which featured him in duet with Becca Stevens, is written here for piano and vocal ensemble, and would be perfectly fitting in for a vocal jazz ensemble or a traditional choir. It’s written without solos in a simple, understated manner that feels meditative, reflective and longing. The nature of the repeated rhythmic motive, along with much of the piece written with a harmonic pedal, serves to set the listener up for some gentle surprises when the harmony and voicings take a turn before coming back home. Although a chart description isn’t normally the place for editorializing, I don’t mind saying here that I believe that this piece has the potential to be a vocal jazz classic in future years.
Fully-notated piano (also includes a piano/vocal chart)